{"id":155,"date":"2020-09-28T16:55:49","date_gmt":"2020-09-28T15:55:49","guid":{"rendered":"https:\/\/www.viperfish.eu\/slow-venice\/?page_id=155"},"modified":"2024-10-14T16:28:15","modified_gmt":"2024-10-14T14:28:15","slug":"architecture-of-the-60ies-carlo-scarpa-olivetti-querini-stampalia","status":"publish","type":"page","link":"https:\/\/www.slow-venice.com\/de\/slow-venice-itineraries\/architecture-of-the-60ies-carlo-scarpa-olivetti-querini-stampalia\/","title":{"rendered":"Die Architektur der 60iger: Carlo Scarpa, Olivetti und die Fondazione Querini Stampalia"},"content":{"rendered":"

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\"Carlo<\/p>\n<\/div><\/div>\n

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Die Architektur der 60iger: Carlo Scarpa, Olivetti und die Fondazione Querini Stampalia<\/h3>\n

The great architect\u00a0Carlo Scarpa (Venice 1902 \u2013 Sendai 1978) had a unique ability to \u201cread\u201d historic places, and\u00a0to understand\u00a0the particular force and meaning they had in their contemporary urban settings. the transformation of a building occurred always in this harmonious context.<\/p>\n

Gerade in seiner Heimatstadt Venedig gelang Scarpa ein au\u00dfergew\u00f6hnliche Balanceakt zwischen der \u00fcberw\u00e4ltigenden Geschichte der venezianischen Architektur und seinem pers\u00f6nlichen Gef\u00fchl f\u00fcr die Gegenwart. Meine Tour bietet eine historische Perspektive, die zeigt, wie die Natur der venezianischen Architektur in das Werk von Scarpa einflie\u00dft und sich mit seiner modernen Vision verbindet.<\/p>\n

In the Olivetti Shop in Piazza San Marco, that was intended by Adriano Olivetti, who commissioned the work, to be a \u201ccalling card\u201d for his typewriter industry, scarpa transformed a long and narrow room into an elegant, vertical space. Although he uses traditional materials such as mosaic, terrazzo, brass\u00a0and white stone, he gives them a modern twist through the way he handles them.<\/p>\n

Im Erdgeschoss des Palazzo Querini Stampalia aus dem 16. Jahrhundert verband Scarpa drei R\u00e4ume zu einer harmonische Einheit: die neue Zugangsbr\u00fccke, den Kanal auf der Vorderseite und den Innenhof mit Garten. Materialien wie Stein und Marmor interagieren dort mit ihrer nat\u00fcrlichen Umgebung: Wasser, Pflanzen und Licht.<\/p>\n

A more comprehensive overview \u00a0of the work of Carlo Scarpa include the Correr Museum, where there are rooms that preserve the original setting and the entrances to the Faculty of Humanities in San Sebastiano and to the Faculty of Architecture at the Tolentini. Both entrances were completed posthumously by Scarpa's collaborators, based on his original designs.<\/p>\n

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